31 marzo 2014


In commercio lo si trova forse ancora nella versione in VHS curata negli anni novanta dalla Rhino Home Video, oppure lo si rintraccia provvisoriamente su YouTube. Willard's Wormholes lo ha riproposto ai suoi lettori qualche giorno fa: 33 1/3 Revolutions per Monkee è lo special televisivo statunitense blandamente psicoattivo prodotto e girato da Jack Good e Art Fisher sul finire del 1968 in favore dei Monkees, con Julie Driscoll, Brian Auger and The Trinity veri protagonisti, e Jerry Lee Lewis, Fats Domino, Little Richard e Buddy Miles tra gli illustri ospiti. Utter bloody shambles...

Charles Darwin the famous evolutionist takes The Monkees through various stages of evolution until they are ready to brainwash the world via commercial exploitation. Hatched in giant test tubes, the four are stripped of all personal identity and names: Micky Dolenz becomes Monkee #1, Peter Tork becomes Monkee #2, Michael Nesmith Monkee #3, and David Jones Monkee #4. Each Monkee attempts to regain his stripped personal identity by thinking his way out of captivity into his own world of fantasies. Monkee #1 (Micky) performs an R&B up-tempo duet remake of "I'm A Believer" with Julie Driscoll; Monkee #2 (Peter) reclines on a giant cushion in eastern garb and, to the lilting backing of sitar and tabla, performs "I Prithee (Do Not Ask For Love)," a gentle number concerning spiritual values. Monkee #3 (Michael), in an inventive splitscreen number, sings a country tune, "Naked Persimmon (The Only Thing I Believe Is True)"; and Monkee #4 (David) capers about in short pants and frill collar in fairytale land, singing and dancing to the tune of "Goldilocks Sometime." But Darwin is alarmed by their fantasies and tries breaking them down by his own hypnotism via "Only The Fittest Shall Survive," a slab of swirling psychedelia laden with congas, drums, jungle noises, cyclonic winds, explosions and heavy breathing.
After The Monkees perform "Wind Up Man" in the stiff-legged form of robots, and "I Go Ape" disguised in white gorilla costumes, they are regenerated to Darwin's taste and, hypnotized, plasticized, psychoanalyzed, and sterilized, they make their debut at the Paramount Theater on December 7, 1956, dubbed "the greatest rock 'n' roll singers in the world." The four, dressed in outlandish 1950s vocal group gear, are then immediately launched into a classic '50s rock medley: "At The Hop," "Little Darlin'," "Peppermint Twist," and more. Backing them up are Jerry Lee Lewis, Little Richard, The Buddy Miles Express, and The Clara Ward Singers. Brian Auger and Julie Driscoll interrupts the proceedings and announces they have decided to give David, Micky, Michael and Peter complete and total freedom, resulting in a brief snippet of David Jones' "String For My Kite," Peter Tork's harpsichpord rendition of "Solfeggietto" by C.P.E. Bach and all four Monkees performing "Listen To The Band," with Michael on Black Beauty (Gibson Les Paul Custom), Peter on keyboards, Micky on drums, and David on tambourine as an affectionate swan song performance by all four Monkees. As the song progresses, they are joined by hippies and all of 33 1/3 Revolutions Per Monkee's guest musicians from The Trinity to The Buddy Miles Express, resulting in a climactic frantic cacophony.

http://www.monkeesrule43.com/33rpm.html
http://tinyurl.com/nj9asx3