29 gennaio 2017
Non è la prima volta che elementi delle cartelle cliniche personali vengono utilizzati da qualche musicista quale materiale grafico per accompagnare i propri lavori - degli anni recenti vengono in mente gli esempi di Derek Bailey, Jon Rose e Bertrand Burgalat - ma qui non è solo la copertina del nuovo album di Keith Rowe, The Room Extended (Erstwhile, 2016), a segnalare qualcosa di incombente e profondo nello stato di salute del benamato artista e chitarrista. Ne parla estesamente Brian Olewnick, suo biografo, al blog Just Outside: "I first noticed the tremor in Keith's right hand on a visit to his home in Vallet in the summer of 2014. Presumably it had existed for some time although while I was in Paris (from February 2013) we saw Keith several times a year and I hadn't picked up anything before. When I returned to Vallet in November for two concerts in honor of Christian Wolff's 80th birthday, Wolff at one point asked him directly about the shaking and Keith replied that they were having examinations but it might well be Parkinson's which, in fact, it turned out to be. The Room Extended was begun in 2013 and completed in 2016. Death had always been on his mind, often talked about very matter-of-factly, but, as clearly indicated by the cover image of his brain (a pre-Parkinson's diagnosis scan for a possible tumor), one assumes a permeation of this concern over most of the course of the construction of the present work. [...] The overall feeling I get from the piece is one man, sitting at his work space in his small loft in the converted cellier in Vallet, letting all the sounds, remembered and ongoing, filter in, mixing with his knowledge of what's occurring in the world (one is tempted to read an uncritical demographic observation in the increasing presence of Islamic music as the piece develops) and, always, with the acknowledgement of the certainty of death. His upcoming recording with Michael Pisaro deals with the Venerable Bede's analogy of life: a sparrow flying into a mead hall where a raucous feast is taking place and quickly flying out a window on the opposite side. Here, amidst a whirlpool of sound, from radios, news commentaries, orchestras, guitars and electronics, at the very last, an alarmed voice speaking in Spanish is abruptly cut off. Then nothing."