13 novembre 2017


Chi desidera ritornare alle epiche gesta dei Magma di Retrospektïẁ - cronaca in tre volumi dei concerti del giugno 1980 all'Olympia a Parigi - oggi lo può fare, se crede, anche attraverso la nuovissima ristampa in vinile che Seventh Records e Southern Lord con sforzo congiunto hanno prodotto in 1500 esemplari: http://www.seventhrecords.com/magma-19/seventh-and-southern-lord-presentent-1271.html

The first 10 years of Magma were celebrated on three memorable evenings in June 1980 at the Olympia theatre in Paris. This retrospective, reuniting most of the musicians who had performed in the group, was issued as two albums, Retrospektïẁ 1 / 2 (double) and Retrospektïẁ 3 (single). Issued first, Retrospektïẁ 3 comprises 3 titles: Retrovision, a long piece in the style of the album Attahk, in which the vocalists Stella Vander, Guy Khalifa and Maria Popkiewicz turn in a blazing performance over a driving rhythm section; a supercharged version of Hhai, in which the trio Lockwood / Paganotti / Widemann works miracles; and finally La Dawotsin, where, in a more muted register, the voice of Christian Vander triumphs through its mastery and profound sensibility.
Recorded, like Retrospektïẁ 3, during the soirees at Olympia in June 1980, Retrospektïẁ 1 & 2 is an absolutely fundamental album in which Theusz Hamtaahk, the first movement of the trilogy of the same name, is presented for the first time. The second and third movements, Wurdah Itah and Mekanik Destruktiw Komandoh, were of course already well known. Although played in concert since 1974, Christian Vander had waited for years before recording it for posterity as he wanted every note to be as beautiful, magical, essential and definitive as possible. It is with the same respect for his music that he releases here the most successful version of Mekanik Destruktiw Komandoh, considered outstanding on account of two incredible improvisations from Bernard Paganotti and Didier Lockwood. Klaus Blasquiz, who did not perform on Retrospektïẁ 3, is the lead vocalist on this version – and justifiably so, since he was indeed the Magma singer who first sang these two masterworks.

http://www.seventhrecords.com