05 dicembre 2014

Ha compiuto quarant'anni ad ottobre il Bimhuis di Amsterdam, luogo di musica tra i più prestigiosi in Europa e glorioso alfiere in particolare del jazz d'avanguardia e delle musiche di improvvisazione. L'anniversario sarà celebrato via via nell'arco di un intero anno con un'impressionante serie di iniziative e concerti, molti dei quali trasmessi in streaming da un'emittente creata ad hoc e conservati come file audio presso Mixcloud. Alcuni sono già disponibili, tra cui due programmi proposti da Evan Parker - il titolo, Might I Suggest, è lo stesso di alcune sue serie curate periodicamente presso il Vortex londinese -, concerti di Michael Moore, John Scofield, Craig Taborn, una serata ellingtoniana e una in ideale gemellaggio con il London Jazz Festival dei giorni scorsi.

The Bimhuis was founded in 1974, three decades prior to the completion of the current building. The former furniture showroom on the Oude Schans, nearby Amsterdam’s Red Light district had been acquired by few musicians who had just become members of the recently founded Beroepsvereniging voor Improviserende Musici (BIM), such as saxophonist Hans Dulfer and pianist Misha Mengelberg . It was a time of new, enthusiastic initiatives in jazz, with a conscious choice to depart from traditional approaches. In the Netherlands this led to the formation of such progressive ensembles as the Instant Composers Pool and Willem Breuker Kollektief.
The Bimhuis quickly achieved the status as the premiere Dutch venue for improvised music and the hall became a favourite spot for such renowned international bandleaders as Charles Mingus, Archie Shepp, Cecil Taylor, Pharoah Sanders and Sun Ra. The space was simultaneously made available to new Dutch initiatives, conservatory students and apprentice orchestras. To this very day the Bimhuis continues to be a spot where new bands and projects are formed in which local and international musicians collaborate.
In 1984 the building underwent drastic renovation, whose most important feature was a hall in the shape of an amphitheatre. This allowed for an intimate atmosphere near the stage, while still allowing the audience to circulate at the back of the space to the adjacent bar. A professional recording system was installed which resulted in many concerts either being recorded for LP and CD releases or radio broadcasts. By the nineteen eighties and nineties the revolutionaries from the initial years had become internationally respected band leaders.
The present-day Bimhuis opened in 2005. The characteristic ‘black box’ protruding from the Muziekgebouw aan ‘t IJ, was designed with the old Bimhuis in mind. The lay-out of the stage and access to the bar have remained the same, but now everything is more spacious, comfortable and technically advanced. The Bimhuis annually receives twice as many visitors now as the old venue did in its most successful year ever. Everyone plays there now, from stars to amateurs, from mainstream to avant-garde. In essence, the Bimhuis has basically remained the same: an important junction in the international network of improvising musicians.