David John Taylor dedica agli scrittori sperimentali inglesi degli anni Sessanta uno speciale programma per BBC Radio 4, The Advance Guard of the Avant-garde, realizzato con tecniche radiofoniche poco ortodosse e affini alla poesia sonora spesso promossa da quegli autori. Cita Ann Quin, Bob Cobbing, Alan Burns, Christine Brooke-Rose e soprattutto Bryan Stanley Johnson, con il contributo tra gli altri di Jonathan Coe, biografo di Johnson (Like A Fiery Elephant) e curatore di alcune edizioni di sue opere (Well Done God): "He was certainly one of the best British prose stylists of the 1960s and on that subject I can do no better than quote the poet and novelist Adrian Mitchell's words from 1964: "Mr Johnson is a fine poet and he writes the prose of a fine poet. Every word is weighed for its rhythmic effect as well as for its sense and sound." It's good to remember, incidentally, that Johnson began his working life as a poet, one whose preferred mode was the confessional, and who would only allow himself one subject: "nothing else but what happens to me". It may have been a common enough view in poetic circles at the time, but Johnson was perhaps the only person to carry this aesthetic over into the novel."
Using some of the rich archive these writers left behind, D.J. Taylor sets out to tell their story, with the help of Johnson's biographer Jonathan Coe, editor of a new Ann Quin collection Jennifer Hodgson, novelist Eimear McBride and poetry critic Jeremy Noel Tod.
https://www.bbc.co.uk/programmes/b09tybwl
https://www.theguardian.com/books/2005/jun/17/biography.samueljohnsonprize2005