12 maggio 2018

C'è anche una fascinosa versione strumentale di Maryan - desunta probabilmente dal wyattiano Shleep, se non da For The Ghosts Within, anziché dall'originale Marian di Philip Catherine (in September Man, 1974) - nell'atmosferico album di debutto del duo costituito da Paul Jones e Steve Black: si fanno chiamare Group Listening, e l'album è Piano & Clarinet: Selected Works Vol. 1, prodotto dalla Prah Recordings con sede a Londra e un'altra sede a Margate, neanche mezzora da Canterbury...

Piano & Clarinet: Selected Works Vol. 1 is the debut album from Group Listening, a collection of ambient works - from the likes of Brian Eno, Arthur Russell, Roedelius and Robert Wyatt - arranged for clarinet and piano. Cutting out the post production and keeping overdubs to a minimum, the clarinet and piano were passed through guitar stomp boxes and other analogue effects to enable processing and manipulation directly in performance. The result hums with the ghostly energy of sound pioneers Joe Meek and Martin Hannett, while mbira and drum machines are sparingly deployed amid enveloping folds of space echo.
Like Virginia Astley or Simon Jeffes, Group Listening tread the overlap between classical and experimental music. Perhaps most startling here is the breadth of material arranged as one atmospheric whole. The pieces range from the ever-spiralling, fractal phrases of German composer Roedelius to the haunting rasps of game and Hollywood soundtracker Disasterpiece and the pioneering sonics of early electronic inventor Raymond Scott. Somehow, shot together through Group Listening’s electro-acoustic lens, these works evolve into something supremely calming, poignant and new.