19 febbraio 2020


E le più varie possibilità espressive di batteria e percussioni integrate nello spazio elettroacustico generato da microfoni e accurata amplificazione sono investigate a fondo da Vincent Glanzmann e Gerry Hemingway in Composition O, due diverse sessioni di studio del 2017 raccolte in un album pubblicato ora in Polonia da Fundacja Słuchaj: "The compositional particularities are fixed in regards to each performance. However after each performance the piece is again open for discussion and re-evaluation. Some parameters that could change might include of change the manner of notation, instrumentation, organization of sound properties, and the consideration of alternate formations of musicians. The electro-acoustic element of microphones integrated into an otherwise percussive instrumentation allows access to micro-acoustic areas of sound as well as a parallel investigation of developing them as instruments unto themselves."

https://sluchaj.bandcamp.com/album/composition-o